REVIEW| Pride & Prejudice (sort of) UK Tour
Thursday, April 27, 2023
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| Photo Credit:Mihaela Bodlovic |
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| Photo Credit:Mihaela Bodlovic |
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| Photo Credit:Mihaela Bodlovic |
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| Photo Credit:Mihaela Bodlovic |
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| Photo Credit:Mihaela Bodlovic |
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| Photo Credit:Mihaela Bodlovic |
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| Photo Credit:Manuel Harlan. |
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| Photo Credit:Manuel Harlan. |
Originally written for Theatre and Tonic.
It has been about fifteen years since my last pantomime, so it was time to return to the Wolverhampton Grand Theatre for this year’s panto Aladdin, written and directed by Will Brenton filled me with nostalgia and excitement.
Filled with a mix of well-known pop songs, such as ‘Domino’ and ‘Relight My Fire’ as well as some slightly adapted musical theatre classics, there’s a little something for everyone leaving you dancing in your seats. These songs mixed in with some classic they’re behind you, screaming at mummies, pyrotechnic entrances and even a little fire and you’ve got yourself a classic pantomime.
The cast this year has a wealth of talent both new and experienced, from the eight-person strong ensemble to Dame Dot Twankey (Ian Adams) playing his sixth pantomime at the Grand. Adams’ work with Tam Ryan playing Wishee Washee is a thing of joy to watch, stealing the show on a few occasions, with jokes for old and young alike to enjoy and laugh at. I also really enjoyed their work alongside Ian Billings as the Notary in their “Wolverhampton Song” which they completed in a super speedy style.
Zoe Birkett, fresh from her run in Moulin Rouge in London’s glittering West End, shone like a marvellous jewel as the Spirit of the Ring, blasting the roof of the theatre with her fantastic vocals for all to hear, especially in Act Two where she starts the half with a glorious rendition of ‘Don’t You Worry Bout a Thing’ as well as aiding the flight of the Magic Carpet with a lovely version of ‘Defying Gravity’ from Wicked.
Abanazar was played by Michael Greco. Probably better known to people of a certain age as Beppe in Eastenders played a great panto villain as he was not too scary but fun to boo at. The Genie played by Duane Gooden was full of energy and magic, my only wish was that he was on stage more.
Aladdin himself was played by Ben Cajee and Jasmine was played by Sofie Anné. Although they were the main pair, I feel like their parts of the story were slightly rushed, which was a shame especially as the children in the audience knew Ben well and were rooting for him. Sofie’s voice was stunning and I would have really enjoyed hearing more.
For me, Aladdin at the Wolverhampton Grand Theatre took me back to my youth in the best way possible, I really enjoyed myself and even got involved with all the call-and-response moments. Plus as a person with a slightly nervous disposition, I can report that there weren’t too many loud noises, bangs and flashing lights which is great for people like me and children alike.
The panto is running until 7th January 2023 and it’s definitely worth a watch. Book your tickets.
*Disclaimer: AD | Gifted Tickets
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| Photo Credit:Pamela Raith |
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| Photo Credit:Pamela Raith |
Every once in a while there is a show that is everything you need in a show form, a warm hug in musical form. Fisherman's Friend is a fine example of that, this new feel good UK based and written classic is definitely a new favourite, just after one watch.
Based on the true story of the chart topping vocal group Fisherman's Friends and the 2019 movie of the same name name, it has a heart-warming feel mixed in with all the acapella sea shanties that you could wag a heaving line at.
Written by Amanda Whittington and Directed by James Grieve, this show brings the story to life alongside toe tapping music under the direction of James Findlay and with line heaving choreography by Matt Cole.
The versatile set design and excellent costume by Lucy Osbourne, works so well especially the versatile set, which has many a hidden storage compartment or secret double life and works wonderfully alongside lighting and sound designed by Johanna Town and Dan Samson respectively.
Having not seen the film or known the story prior to seeing the show, it was all a surprise and I really enjoyed it all unfold in front of my eyes and the cast were all amazing, a proper community just like the show would want.
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| Photo Credit:Pamela Raith |
The fishermen themselves, Hadrian Delacey, Dakota Starr, Pete Gallagher, Anton Stephans, Robert Duncan, James Gaddas and Dan Buckley were all brilliant to watch, with voices that blended spectacularly together and with great characters that made you want to take the journey to Port Issac itself to visit The Golden Lion for a drink with them all. The best bunch of men, truly.
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| Photo Credit:Pamela Raith |
My ultimate love of the show however was Parisa Shahmir,who plays Alwyn. Her voice throughout the show was stunning to listen to, especially during the song Village By The Sea (written for the show by James Findlay, that I have become mildly obsessed with). Her chemistry alongside Danny, played by Jason Langley, and the rest of the cast was beautiful to watch and I really enjoyed her characters journey throughout the show and Parisa's portrayal of it.
This show is so feel good, home grown and perfect. I recently heard it called the "English Come From Away" and I can really agree with that. If you are looking for a show, all about the power of community and togetherness then look no further than Fisherman's Friends. Currently touring up and down the length of the UK as well as a brief stop in Toronto, Canada over Christmas, it is a show for all to see and I recommend that you do.
Information on where the tour goes next and to book your tickets, you can click here.
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| Photo Credit: Brinkhoff-Moegenburg |
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| Photo Credit: Brinkhoff-Moegenburg |
Some shows out there are destined for big things, The Lion, The Witch and The Wardrobe currently playing at the Gillian Lynne Theatre in London's glittering West End is one of those shows.
I first saw this show during its UK Tour and I fell in love with its magical feel and nostalgic story. The show is based on the original story by C.S Lewis and is directed by Michael Fentiman and immerses you into the magical world of Narnia complete with full sized amazing lion puppet that has been designed by Max Humphries and directed by Toby Olie.
The stage's set design and costumes by Tom Paris alongside Lighting design by Jack Knowles and Sound design by Ian Dickinson and Gareth Tucker gives the show its magical feel, complete with illusions and magic created by Chris Fisher so excellent that even after two watches I still can't figure out. Creatively this show has been finished to the highest order in all aspects.
The cast complete with many actor-musicians, moving with choreography by Shannelle "Tali" Fergus is no mean feat, moving both actors and their instruments around the stage with great ease as well as creating some brilliant large group moments including the start of act two, with its very special guest.
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| Photo Credit: Brinkhoff-Moegenburg |
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| Photo Credit: Brinkhoff-Moegenburg |
The cast was full of new faces and tour faces. The Pevensie children Robin Sinclair, Ammar Duffus, Shaka Kalokoh and Delainey Hayles worked brilliantly of each other, you would not have guessed that Delainey only started this show when it began in London as their family chemistry is second to none.
Other new faces in this London production include Emmanuel Ogunjinmi, Myla Carmen, Jasmine Colangelo, Julian Hoult, Ashlee Irish, Sean Lopeman, Micha Richardson, Ciaran Roger and Charlotte-Kate Warren who work wonders alongs the tour performers Scott Brooks, Rachel Dawson, Oliver Grant, Matthew James Hinchcliffe, Shaun McCourt, Christina Tedders, Johnson Willis, Jez Unwin, Chris Jared and Samantha Womack who were great to watch again.
Samantha Womack returns as the White Witch, verging just on the right side of scary for a family friendly show, and remains one of my favourite performances in the show alongside Oliver Grant's Head Cruel character and the two work brilliantly well.
The collective quartet behind Aslan, Oliver Grant, Sean Lopeman and Shaun McCourt as the puppeteers and Chris Jared as the actor and voice of Aslan. How they all work together to create one character is very clever and excellently portrayed by the four actors.
The beavers played wonderfully by Christina Tedders and Julian Hoult are two of the stars of my show, two characters who are on the outskirts of central characters but that lighten the stage with every appearance, they are always a joy to watch work together and some of their lines have become some of my new favourite catchphrases to say in day to day life.
This show is one for anyone and everyone, a tale that all know told in a magical and exciting new way. 1000% recommend for all the family, a perfect first show for any new theatre go-er young or old. Currently showing at the Gillian Lynne Theatre in London until 8th January.
Tickets can be bought straight from the LW Theatre Website. Get your tickets now, you will not be disappointed.
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| Photo Credit: Mark Senior |
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| Photo Credit: Mark Senior |
It is no secret that Kinky Boots is up there as one of my favourite shows, the story and its message of acceptance of yourself and everyone else is one that needs to be heard. I have seen Kinky Boots multiple times in London and on Tour so as soon as I heard that the concert had been announced I was ready to book and then when they sprinkled in some cast glitter I was sold.
This show has seen me through good times and bad, shaped my life and hugged my heart through it all. This production, which was a staged concert, had the feel of the show just without some of the large choreographed moments and with the music being played by the amazingly talented London Musical Theatre Orchestra and with background ensemble vocals being performed by the London Musical Theatre Chorus alongside actors taking the main roles on stage.
Creatively it was amazingly complete with excellent lighting designed by Ben Cracknell and sound by Tom Marshall, which alongside the direction by Omar F. Okai kept the feel of the full show in this concert but also made it a treat for the eyes and ears. Literally Creatively Flawless.
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| Photo Credit:Mark Senior |
The cast were pretty special too. Led by the glorious Cedric Neal as Lola/Simon, Joel Harper-Jackson as Charlie and Courtney Bowman as Lauren, alongside Graham Bickley, Duane Gooden, Hannah Lowther, Kayleigh McKnight, Madison Swan, Nikki Bentley, Sean Needham, Ahmed Hamad and Daisy Wood-Davis.
Cedric was outstanding as Lola, a role they were born to play, putting all of their heart and soul on the line, which when you learn about the journey Cedric has been on with this role through the years. It was also great to see Joel perform as Charlie after he last took on the role on the UK Tour, especially after you remember that over the last two weeks Joel has done two of these staged concerts, his career is really on the rise as of late.
Lola's angels played by Ashley Samuels , Eli Caldwell, Finton Flynn, Jayred Lempriere, Jordan Bennett and Ross Carpenter were outstanding, from the moment they arrived on stage until the final bows, absolutely exceptional and I was in love with them all.
This was the greatest homage to a great show and literally highlighted that this show needs a return in full either in the West End or on Tour. The audience were one hundred per cent behind it all and was the perfect way to spend my birthday weekend.
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| Photo Credit:Matt Crockett |
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| Photo Credit: Matt Crockett |
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| Photo Credit:Matt Crockett |
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| Photo Credit: Matt Crockett |